House

As you'll know if you read this post, my mother has just moved out of her house, downsizing and moving near to my brother. She and my father moved into that house in 1963, so it has been the family home throughout all my life. It's a characterful old house, a former farmhouse, in a beautiful setting. I was down there for a week over half-term, with Husband and the children, and it was a good week, albeit a heavy one. I wrote some reflections.

Look. There's me. I'm being born. November. Half past six in the evening. I'm being delivered by my grandmother and the community midwife. My parents' bedroom. Two windows, one facing west, one facing south. I wonder what my first sight is, when I open my eyes. The midwife? My grandmother? My mother's smiling face? Or the brown wooden railings of the bedhead? That bedhead is still there. Maybe that bedhead, which now sports a sticky label "Bedroom 1", was the very first thing I ever saw.

Look. There's me. I'm two and a half, and my brother is being born in his turn, in my parents' bedroom. My grandmother is here again, and the community midwife, but they can't both be with my mother. My grandmother has to spend precious moments with me. I know something is going on, and I want to know what. I want to see. I want to go into my mother's room. I won't settle in my own bed. There's my grandmother, singing to me, stroking me, outwardly lulling me gently, but inwardly hard urging me to sleep.

Look. There's me. I'm sitting up in the big Silver Cross pram, opposite my brother. You can take a square section of the floor out, leaving a well for a child to put their feet when they sit upright. My feet are in the square, but so are his, and I'm kicking him. It's fun, but I'm annoyed with him too. My mother is stopping us. "Behave, or we won't go out." This is my earliest memory.

Look. There's me. I'm at school now. I'm in my blue school uniform, and I have a brown satchel, which I like, but not as much as my friend Catherine's one. Mine is a dull brown, but hers is a shiny chestnutty brown. On summer days, we walk home from school through the orchards, kicking the cut grass with our school shoes.

Look. There's me. I'm jumping around on straw bales  in the farm with my brothers, sister and cousins. We know we're not allowed to climb on the machinery, or go into the cow pens. But we're allowed on the straw bales in the barn, and there's a lovely shivery feeling of danger and strangeness in that big barn, which is so empty and echoey and huge, and it always feels as if we're naughty interlopers when any of the farmhands come by. They know us, though, and leave us alone. My mother rings a bell out of the kitchen window when it's time to go home.

Look. There's me. I'm doing my O' levels and I'm sitting at my desk, working. The garden is hot outside, and I can hear the lazy hum of a bumble bee as it drones past the window. I have the Capital Radio Daily Top 10 on the radio, which I let myself listen to every day, before turning the radio off to concentrate more on my books. Just under my window is the porch over the front door, and when I was younger, I used to think it fun to go out of my bedroom window onto the porch, and into the bathroom from there. Of course it wasn't allowed. We did it anyway.

Look. There's me. I've just moved to London, and started work. The city is big and lonely, and I feel I have no idea what I'm doing. I don't really understand my job, but I'm meant to be good at it, as a graduate trainee. I come home often for Sunday lunch, and somehow the comfort of it makes Monday morning less intimidating.

Look. There's me. It's the 'do' after my father's funeral, and we're outside in the garden in the sunshine - which is odd, come to think of it, since it's early March. I don't really want to talk to anyone, but I have to. Someone asks me whether my mother will stay on in the house. What a strange question to ask someone at a funeral.

Look. There's me. I'm sitting in the garden in the sunshine, more than 41 weeks pregnant with my first child. That last contraction made me shift in my chair. This really is it. My mother has friends round, and I don't want to be dramatic, but my sister-in-law notices and, eyes wide for effect, mouths "GO HOME!" at me.

Look. There's me. We've been back from America for long summer weeks, based at the house, and returning to it from trips elsewhere round the UK. We're all packed up and the taxi to the airport will be here soon, and I'm doing 'the sweep'. I walk through each room, eyes travelling across every flat surface, including the floor, looking for stray items. I think I'm pretty good at the sweep, opening drawers, crouching down to peer under beds, but we always leave a few items: laundry in the airing cupboard, favourite toys under pillows, books under piles of newspapers. My mother holds them as hostage till the next visit. I hate the sweep now. Gone are the days when we're only heading off a few hours away in the car, when the pride of maternal efficiency is the main emotion. Now I can't even meet my mother's eyes as she greets me in the hall with her "Got everything? Well done! You're so organised! " It feels like I'm sweeping away the whole summer, leaving it behind us as we return to our lives in America. Our other lives.

Look. There's me. Back for another summer. Sitting in the garden with Paradise. She's a blogging friend, and I've got to know her so well through emailing, pouring out our expat woes, me from America, she from Albania. Here we are, meeting in the flesh, in real life. We share a long, lazy afternoon, in the sun, our children happily playing together. We'll be heading off in different directions, me to the West, Paradise to the East, but for these few hours, the strings of our lives knot comfortably together, a fixed physical event that tethers the part of my life that is lived in cyberspace.

Look. There's me. I'm sitting on the floor with my mother, sorting a box of old toy cars. I'm taking a few, and we're dividing the rest between two bags, one for the charity shop, the other for the rubbish. I take my favourites, and then the ones I can see my mother is struggling to part with. How do you sift and prioritise memories? These Matchbox cars are the ones that I used to pick for my team, zooming them round the house with my brothers, wearing out the knees of our trousers. I know the feel of them in my hand. I know which doors open, and which wheels are missing. They all had names, but I can't remember those. My children come into the room. "Oh, the cars! Are you giving away these?" The cars are holders of two generations of playtime memories.

Look. There's me. I'm lighting the candles on my son's 16th birthday cake. We're telling him the story of the day he was born, how I sat in the sunshine with my mother and her friends. It feels like a strand of life has joined up into a full circle. I think of two friends who have sons with birthdays on this same date. One is in America whose son is 11, and the other a blogging friend whose son is 2. I reflect how my life has oozed out in various directions, from this place. Sixteen years. And here we are again. Only one more day in this house.

Look. There's me. I'm getting into bed beside Husband. I whisper "This is the last night we'll ever spend in this house", but he's asleep. I bury my face into the back of his warm neck and drape my arm over his body, and I think to myself that I'll never manage to get to sleep. But then it's morning.

Look. There's me. I'm doing the final sweep, and I'm bidding farewell to the house. I go into each room, and say goodbye, out loud. No hostages this time.

Look. There's me. We're in the car, and I'm crying, and I can't stop. I wave out of the window, because that's the ritual. "Do the beep-beeps" says one of the children from the back, and Husband beeps the horn twice. In the wing mirror, I can see my mother waving, and there's something deeply, deeply familiar about that exact way she's standing, the angle of her arm, the movement of it, the position of her head to one side... And the house, standing behind.

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